Dear Spectators
Following publication of the Order of 29th October 2020, which adopts exceptional temporary public health measures in Andalusia, Teatro Cervantes will temporarily limit its capacity in accordance with the provisions of said Order. In addition, it adapts the schedules to be able to continue with its activity.
The changes that Teatro Cervantes has to apply to its current programme in accordance with regulation updates will be announced weekly.
Prices A 24€ B 18€ C 13€ D 9€
Conductor CHRISTOPH KÖNIG
Má Vlast (My Fatherland), B. Smetana
1.15 h (w/out intermission)
orquestafilarmonicademalaga.com
Program notes Jose Antonio Canton
photo ©Christian Wind
With his original treatment of folk music themes, Bedrich Smetana was the first major nationalist Bohemian composer to empower his people’s musical identity, greatly influencing later Czech composers. After highlighting his country’s mythological tradition and historical past in the operas Libuse, Dálibor and above all in The Brandenburgers in Bohemia, he decided to do the same with orchestral music. Between 1872 and 1879 he composed the six symphonic poems of his famous collection Má vlast (My Fatherland), essential to understand Czech musical nationalism, in which the composer describes his country’s past as well as the beauty of its landscape. One must appreciate the effort said undertaking entailed, bearing in mind that Smetana had become completely deaf following a grave throat infection he suffered during the composition of the first poem of the series.
The famous poem Vltava (The Moldau) offers the moving symphonic description of the course of the river from its birth to its majestic entrance in Prague, subsequently emptying in the Elbe River. Its musical unity stems from the undulating rondo form used to express the subject matter, which may have also be taken from a popular Czech song.
Prices A 24€ B 18€ C 13€ D 9€