SEASON 10-11
- 23 / 24...SEP
- 01 / 02 OCT
- 12 / 13 MAY
- 22 / 23...JUN
EL GALÁN FANTASMA
| · | Ticket sale | · | Prices | · | Purchase tickets | · | Seating capacity |
|---|---|---|---|---|---|---|---|
| 22 September | A 24€ B 18€ C 13€ D 9€ | Aplicables descuentos habituales | |||||
3 Sequence
By Pedro Calderón de la Barca
Version Eduardo Galán and Daniel Pérez
With Patxi Freytez, Carmen Morales, Guillermo Montesinos, Alejandro Arestegui,
Ana Ruiz, Juan Calot and the special collaboration of Manuel Gallardo
Direction Mariano de Paco Serrano
> Duration 1.30 h. (without intermission)
* Saturday 2th October. Performance adapted for people with disabilities: a screen of subtitles and a sign-language interpreter for the hearing impaired and an audio-description service for the vision-impaired.
With the collaboration of Área de Accesibilidad Universal del Excmo. Ayuntamiento de Málaga (Malaga City Government Department of Universal Accessibility), la Sociedad Federada de Sordos de Málaga (the Malaga Federated Society of the Deaf) and the Delegation of ONCE in Málaga.
People with disabilities that would like to attend the adapted performance should contact the following entities:
ONCE Cuarteles, 8, 29002 Málaga, Tl. 952 341 111
SOCIEDAD FEDERADA DE SORDOS DE MÁLAGA
Lagunillas, 59 - 29012 Málaga, Tl. 952 262 296
A comedy mix-ups and mystery that humorously tells a cloak-and-dagger story tale of love and adventure. Set in Sajonia, El galán fantasma (The Phantom Hero) depicts the trials and tribulations of Astolfo, who is in love with Julia and hunted by the duke, rival for Julia´s love. Astolfo, wounded by the duke in a battle, pretends to be dead and visits his love by a secret garden tunnel. He convinces everyone he is a ghost, which causes a series of errors and disputes, simulations, apparitions and emergencies that result in the typical happy ending of this type of “comedia áurea.”
El galán fantasma recovers a largely forgotten work, unjustly viewed as lesser “teatro calderoniano” (theatre characterized by excess tragedy and a sense of allegory), historically undervalued despite its importance to the author´s dramatic production. In this case, the dramatic motor is deception and death. “Deception and death generating the great comedy of the world and of life, dedicated to those who enjoy contemplating their own misery, their own pathetic jokes. Sounds funny, right? Prepare yourself…well… to laugh.” Mariano de Paco Serrano
www.secuenciatres.com
www.elgalanfantasma.com