COMPAÑÍA NACIONAL DE DANZA

Tuesday, 06 October, 21.00 h.
Wednesday, 07 October, 21.00 h.
· Ticket sale · Prices · Purchase tickets · Seating capacity
18 September A 30€  B 22€  C 16€  D 11€

Artistic Director  NACHO DUATO

De pasoArenalCobalto

> duration 1.45 h. (with intermission)

De paso
Choreography  Gentian Doda
Music  Joaquín Segade and collage
This is the first creation from young choreographer Gentian Doda for the CND.  Doda has been a dancer in the company since 2003, and his pieces have been unanimously applauded by both critics and the international public. De paso presents unpredictable situations in an environment of anonymity and transition.

Arenal
Choreography  Nacho Duato
Music  María del Mar Bonet
Nacho Duato’s choreography was inspired by the songs of María del Mar Bonet. He strives to show the uninhibited joy of the Mediterranean temperament juxtaposed with life’s daily struggles.

Cobalto
Choreography  Nacho Duato
Music  Pedro Alcalde and Sergio Caballero
Duato addresses eroticism from a dreamlike perspective. In this production, created for ten dancers, the music is once again of primordial importance.

The Compañía Nacional de Danza was founded in 1979 under the name of the Ballet Nacional de España Clásico with Víctor Ullate as its first director. The appointment of the prestigious choreographer and dancer Nacho Duato as Artistic Director in June of 1990 represented a significant innovation in the company’s history. Duato’s choreography brings worldwide recognition and praise to the company.

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PHOTOGRAPHY AND AUDIOVISUAL EXPOSITION
CND, LA DANZA SUPERLATIVA

Photographs by  Fernando Marcos Ibáñez

Sala Moreno Villa
From October 6th-18th, including Saturdays and Sundays
from 11.00 to 14.00 and from 17.00 to 20.00.

Sponsored by LA CAIXA

Images collected by Fernando Marcos, the official photographer of the CND. Photographs of performances, rehearsals, backstage, intimate and introspective moments before a show’s start and the dazzling explosion of the choreography on-stage. An homage to art in its highest expression, an attempt to capture the nakedness of the feelings conveyed by the dancers’ bodies.